Gioseffo zarlino biography definition

Gioseffo Zarlino (born March 22,

Gioseffo Zarlino (31 January or 22 March – 4 February ) was an Italian music theorist and composer of the Renaissance. He made a large contribution to the theory of counterpoint as well as to musical tuning.
Gioseffo Zarlino (31 January Gioseffo Zarlino (born March 22, , Chioggia, Rep. of Venice [Italy]—died February 14, , Venice) was a Venetian composer and writer on music, the most celebrated music theorist of the midth century.
gioseffo zarlino biography definition

The Italian music theorist Gioseffo Zarlino. The Italian music theorist and composer Gioseffo Zarlino () wrote the most lucid and comprehensive exposition of 16th-century counterpoint. Born in Chioggia near Venice, Gioseffo Zarlino received his initial training in religion and music from Franciscans, whose order he entered as early as


Gioseffo Zarlino was a ZARLINO, Gioseffe, one of the most learned and enlightened musical theorists of the 16th century, was born in [ 1 ] at Chioggia—the Clodia of the Romans—whence he was generally known as Zarlinus Clodiensis.
With the biographical overview

Gioseffo Zarlino (31 January (–90).Composer and important music theorist. He worked first in his native Chioggia and from in Venice. His major treatise, Le istituzioni armoniche (), re-examines the traditional philosophical bases.

ZARLINO, GIOSEFFO Leading Renaissance music theorist; Leading Renaissance music theorist; b. Chioggia, Italy, March 22, ; d. Venice, Feb. 14, A promising Franciscan theologian at 24, he abandoned this calling in to study with the world-famous willaert, maestro di cappella of St. Mark's in Venice.


The Italian music theorist

With the biographical overview GIOSEFFO ZARLINO (), Italian musical theorist, surnamed from his birthplace Zarlinus Clodiensis, was born at Chioggia, Venetia, in (not , as Burney and Hawkins say).

1. Gioseffo Zarlino was an 1. Gioseffo Zarlino was an influential Italian music theorist and composer in the 16th century. 2. In his landmark book Le istitutioni harmoniche, he achieved an integration of speculative and practical music theory and established Willaert's methods as models for contrapuntal writing. 3. He developed an influential theory of consonance and tuning that expanded the range of accepted intervals.

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